Reformations are often viewed with a degree of cynicism, and for good reason. Most punters have been burned at least once by a cash-cow reunion, and nobody likes seeing their heroes bored and meandering through flaccid renditions of former glories. So with only two gigs under their belt, there was plenty of speculation going around about Pavement’s long-awaited tour.

Opening the night was Melbourne’s Gersey, returning to the stage after nearly three years apart. Added to the bill on account of their friendship with Pavement guitarist Scott Kannenberg (aka Spiral Stairs), they played a polished set of grandiose indie with shoegaze flourishes. But despite some much-needed dynamics towards the end, it was a pretty meandering set that failed to impress. A bit of a shame, especially considering Auckland’s audience were treated to the wonderful 3Ds.

Pavement, on the other hand, made quick work of proving their worth as a touring act in 2010, over a decade since their last outing together. Dedicated fans were delighted by slow-burning opener The Hexx, but they won everyone over when they followed it up with Shady Lane. What followed was a two hour trip through Pavement’s back catalog, with all albums well-represented, a possible exception being Terror Twilight. Stephen Malkmus was particularly animated on stage, surprising everyone with an early dive through Steve West’s drum kit at the end of Perfume V. He was also very impressive, showing off a talent for guitar that doesn’t always show on the group’s studio material. Meanwhile, percussionist Bob Nastanovich also surprised, with his shouted backing vocals and eclectic percussion far more pronounced than on record. They were clearly enjoying themselves, with smiles fixed firmly on Bob and bassist Mark Ibold’s faces, Malkmus flinging his guitar all over the place, and at one point, some half-heartedly synchronized guitar moves.

For the most part, they appeared comfortable together, and played with a looseness that fitted both their music and their reputation. A couple of times it didn’t quite stick, most notably during a patchy rendition of Range Life, but the rest of the time it was a delight. Sprightly numbers like Two States, Cut Your Hair and Stereo were played with a bouncy enthusiasm, while their jammier numbers were more subdued, but equally magnificent – Grounded and Fin being particular highlights.

Closing with a lengthy encore that took mostly from their first two records, Pavement left the stage for what they claim to be the last time in Sydney – promotion has made a point of noting that they won’t be back. Assuming there’s no change of heart, it was a hugely satisfying victory lap from one of indie’s greatest groups. It may be a decade later, but it remains true… Pavement Ist Rad.

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