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www.fasterlouder.com.au

Green Day @ Burswood Dome,Perth (04/12/09)

Were you there? Find yourself in Williamb’s gallery

It’s been almost 20 years since they started and 15 years since Dookie so anyone would expect a Green Day audience to be full of 30-somethings grown fat and jaded, beaten down by the man and trying to recapture the passion of their youth. Not so. Green Day, like punk, has an appeal that spans generations, and welcomes anyone who refuses to stay in their box.

Kicking off their Australian tour in Perth, Green Day were in high spirits and proved they know how to drive a crowd. The anticipation in the pits was palpable, people from 12-45 years of age were bouncing on the balls of their feet and barely repressing their grins as a huge pink bunny appeared centre stage to skull several bottles of beer, seemingly to get the crowd in the mood.

They began the set with a song from their first album in five years and the crowd went predictably wild -a significantly different reaction to support act, Jet. Letting the crowd sing the last chorus of Song of the Century set the mood for the rest of the night.

Green Day stormed their way through a couple of new songs before slowing for a breather and a chat, – œIt’s been a fucking long time since we’ve been to Perth. Normally we save the best till last but this time we’re doing the best first’

Such blatant flattery would get them everywhere.

Drum beats were accentuated by pyrotechnic explosions and bursts of fire which must have been quite terrifying for drummer Tré Cool since even the people at the back of the dome could feel the heat, and Cool was surrounded by four of the flame throwers. The backdrop was an ever changing version of a city scape, now made up of lit buildings, then speaker stacks, televisions, or visions of slums or dripping blood. It even helped the crowd when it was encore time because the sign lit up to prompt a chant of – œGreen Day’.

Changing things up every couple of songs, front man Billie Joe Armstrong kept the two and a half hour set dynamic, either pulling people out of the crowd or hosing them down with water cannons, shooting them with toilet paper from a nifty contraption, firing t-shirts into the audience with a handheld t-shirt gun; this was the ultimate in crowd participation.

Karaoke with Green Day might require a rethink, however, for whilst the two girls invited up to sing Longview probably had the time of their lives, there is a reason why everyone is not a rock star, and Britney mimes on stage. As much fun as it looked, more than a few people thought Good Riddance when they left the stage. Other audience participation included pulling a child out of the – œgodless crowd’ to heal him, and then sending him running off the end of the stage to dive into the crowd where he surfed for a while before disappearing.

The oldest songs were the biggest sing alongs of course, but Are We the Waiting was the most beautiful, moving Armstrong to his knees as he listened to his fans singing his song, and making worshipping gestures in thanks. Other set highlights included the King for a Day/ Shout medley which included snippets of Satisfaction, Hey Jude, Highway to Hell and others too short to recognise. Strutting the stage in a blue feather boa and some tiny knickers that had been tossed onstage, he was completely upstaged by Cool who appeared behind him in a Melbourne cup hat and red wonder-bra and minced around on the drum riser, to the audience’s delight.

The band were clearly having a great time, playing with the crowd, getting them to sing something in almost every song, even holding a note for 12 bars and encouraging the audience to do the same which, surprisingly they did, and the sound was goose-bump inspiring. At its conclusion, Armstrong said quietly, – œthis is why you’re better than Americans’ While it seemed a little disloyal for him to say such things, the Perth audience took it like the compliment it was meant to be and that was pretty much the point where any disbelievers became converted Green Day fans.

There were two encores, one with the band and then an acoustic encore where Armstrong played the slow favourites inducing a lighter waving arm swaying ocean and bringing a tear to many an eye.

You and John Lydon can mutter all you like about legitimate punks and Green Day’s right to adopt the trappings of a bygone era, The fact is that punk is still relevant, and will remain so as long as there is a mainstream. Punk is a mindset, not a way of dressing. It is essentially about the fight; and while the issues change, what remains the same is the outspoken minority that shouts “No!” and rallies others to the cause any way they can. Green Day make music that discourages sheep and raises awareness about issues important to them, just as the Sex Pistols did nearly 30 years ago.

Were you there? Find yourself in Williamb’s gallery

Green Day Perth Set List:

-21st century breakdown
-song of the century
-know your enemy
-east jesus nowhere
-holiday
-static age
-give me novocaine
-are we the waiting
-st jimmy
-boulevard of broken dreams
-2000 light years away
-hitchin’ a ride
-when i come around
-iron man (cover)
-highway to hell (acdc cover)
-brain stew
-jaded
-longview
-basket case
-she
-teenage kicks (+ ‘satisfactions’ cover) – hey jude/shout
-21 guns
-minority

encore
-american idiot
-jesus of surburbia

acoustic encore
-last night on earth
-wake me up when september ends
-good riddance (time of your life)

Set list by Monty Kanungo (updated by Musikchik)

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Comments

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ashryn

ashryn said on the 11th Dec, 2009

Barry and Cadbury, I agree to a point..

I wasn't dismissing sex pistols or their importance to music, i was questioning JLs assertion that GD shouldn't describe themselves as punk because they hadn't earned the name.. I think that is a teensy bit self important, regardless of his genius.

Cadbury, what is punk - Is mine the same as yours?
I say i like original music for example, but what is technically original music; lets say.. Kayne and what I _mean_ when I say original music are two very different things. Punk is a word like that. And yeah, I do get that GD got successful and wrote some pop to gather the fans.. a most unpunk activity, I still think the message they are taking to the lowest common denominator is an important one that no one else with their influence is doing as well as GD are.

I would suspect that 'punks today' would not refer to themselves as punk either since the point of punk is warping the zeitgeist, not how you style your hair or the length of your songs.

And now a disclaimer: I never really got into GD when they were around - for all the reasons you two have given, As far as I could see, they were just an ikea punk band (mass produced, flat packed, homogeneous and imported) so I never took them seriously or bought any albums - I did enjoy the songs when they were on the radio, they sounded good and weren't immediately offensive. It was only after seeing them live (and having to research for the review) that I began to see merit in what they do, beyond having a bunch of songs that sound good and don't offend my inner music nazi... not to mention really enjoying every one of the songs they played on the night and being super impressed with their ability to entertain the crowd for such a long time.

It is also true that in a review statements must be generalised to the general gist of a point because to cover all the background and include all the justifications and clarifications would make for a seriously long and boring review! (or forum post)

dogmongler

dogmongler said on the 11th Dec, 2009

anyone who says 'capitalist consumer society' should instantly be disregarded

i think the best reason to think green day are shit is DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY

ashryn

ashryn said on the 11th Dec, 2009

anyone who says 'capitalist consumer society' should instantly be disregarded

i think the best reason to think green day are shit is DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY DO YOU KNOW YOUR ENEMY

ha ha ha I thought he was saying 'do your enemy' as in: fuck back or make friends..
I probably shouldn't read too much into the things I mishear.

Barry Wom

Barry Wom said on the 11th Dec, 2009

Barry and Cadbury, I agree to a point..

I wasn't dismissing sex pistols or their importance to music, i was questioning JLs assertion that GD shouldn't describe themselves as punk because they hadn't earned the name.. I think that is a teensy bit self important, regardless of his genius.

Cadbury, what is punk - Is mine the same as yours?
I say i like original music for example, but what is technically original music; lets say.. Kayne and what I _mean_ when I say original music are two very different things. Punk is a word like that. And yeah, I do get that GD got successful and wrote some pop to gather the fans.. a most unpunk activity, I still think the message they are taking to the lowest common denominator is an important one that no one else with their influence is doing as well as GD are.

I would suspect that 'punks today' would not refer to themselves as punk either since the point of punk is warping the zeitgeist, not how you style your hair or the length of your songs.

And now a disclaimer: I never really got into GD when they were around - for all the reasons you two have given, As far as I could see, they were just an ikea punk band (mass produced, flat packed, homogeneous and imported) so I never took them seriously or bought any albums - I did enjoy the songs when they were on the radio, they sounded good and weren't immediately offensive. It was only after seeing them live (and having to research for the review) that I began to see merit in what they do, beyond having a bunch of songs that sound good and don't offend my inner music nazi... not to mention really enjoying every one of the songs they played on the night and being super impressed with their ability to entertain the crowd for such a long time.

It is also true that in a review statements must be generalised to the general gist of a point because to cover all the background and include all the justifications and clarifications would make for a seriously long and boring review! (or forum post)

Don't worry, my posts are particularly long and boring... :) It is true that Lydon is a churlish old grump but I do love him. I think he feels pretty proprietorial about punk since he was there at the beginning. However, he himself is constantly mindful of 'selling out'. A subsequent Sex Pistols tour was called 'Filthy Lucre' after all and Johnny more recently has been flogging butter on British telly. After the inception of any idea or movement, often what comes thereafter is in danger of being tarnished as a 'sell-out'. Punk was no different. But I think the very nature of the term is about an idea; an 'attitude'. You had the Pistols and others from the UK like The Clash, The Buzzcocks, The Slits et al. In America, you had The Stooges, The Ramones, The New York Dolls. But even others like Television, Blondie and Patty Smith could be considered punk as they were championing new sounds and ideas and melding different influences, reggae for example.

In the modern era 'punk' has become synonomous with a type of sound: frenetic, sharp rhythm guitar; simple chords played loud, usually brief and punchy songs. I would consider Green Day and a band like Blink 182 as the forefathers of 'pop-punk' in the late eighties/early nineties, adding a pop aesthetic, a 'sheen' to the modern punk sound. They cut their teeth with a slightly grittier model of the stadium giants they are now but the Green Day formula is one that works and has essentially remained unchanged. Many have followed in the pop-punk mould since (Good Charlotte, Sum 41, Yellowcard etc.)

I've not seen Green Day live but I imagine it would be a big show of some spectacle. I feel I've grown out of that type of music a little but a massive fanbase obviously still exisits for the band. After a slight lull with Warning, they had a huge renaissance with Gen Y folk as well.