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Image for Come Together (Day Two) @ Luna Park, Sydney (07/06/09)

Come Together (Day Two) @ LunaPark, Sydney (07/06/09)

CHECK OUT ALL THE PHOTOS FROM DAY TWO OF THE FESTIVAL HERE.

If the first day of Sydney’s Come Together Festival had been characterised by a relaxed atmosphere, there was a noticeable tension in air on the Harbour locale by mid-afternoon of Day Two. The punters had turned out in large numbers, and security and police had responded in kind. Where the Saturday had been all about coming together, Sunday was destined to rip it all apart again with thumping hip hop and a welcome run of guitar bands.

After running the yob and security gauntlet, where even my trusty playing times list was treated with suspicion, Phrase was busily building a spaceship inside. This ship was packed already, which was a stark contrast to the first day. It was clear that the audience of the day was all about the beats, with the Aussie hip hop never failing to fill the room. Adelaide’s Funkoars picked up on this vibe and bounced with it. Despite a sense of sameness at times, the old school beats of three MCs and one DJ kept the mob with their hands in the air at all times.

Numbers Radio brought guitars back to the stage, but emptied the floor at the same time. The indie-rock set was a welcome change of pace on a lazy Sunday afternoon. They were soon followed by the brilliantly-named Philadelphia Grand Jury (or the ‘Philly Jays’ to their friends). Opening with I’m Going to Kill You, the Unearthed band ripped through an incredibly tight set, despite one of the freakiest drummers ever (he didn’t stop staring dead ahead the whole time, and proved to be more frightening than the clowns outside). Throwing gifts to the audience, the band were an early highlight on the bill.

Behind Crimson Eyes failed to impress with their – œpost-hardcore’ stylings. Met with some early guitar problems, frontman Josh Stuart took easy refugee in ‘Chk Chk Boom’ references to recent incidents in Sydney’s Kings Cross. To their credit, they did manage to pull the crowd back in a little bit, finishing their set with a high level of energy if nothing else.

Spiderbait’s Kram emerged to a half-full venue, every bit the rock god. Indeed, with his long tresses, beard and trademarked mirror-shades, he’s what Jesus would have looked like if he’d played rock music. A veritable one-man band, Kram leapt from instrument to instrument, at times playing drums, guitar and singing simultaneously. All kudos should go to Kram’s backing players, who collectively made this a divine outing indeed. A definite highlight of the evening – it is a pity all those hip hop fans didn’t stick around for more.

A similarly small crowd were there to witness Sydney’s own Red Riders, although they were as good as ever. Playing a selection of songs built up over their already impressive career, we were also treated to some tracks off the forthcoming album Drown in Colour. Early indications are that this will be a winner as well, although most of the audience got off to the more familiar Slide in Next to Me.

Muph & Plutonic brought audiences back inside, once again filling the Big Top out with hip hop fans. Plowing through their set in about the same time it took to eat a vegetarian roll, the group left the audience on a high again. Then the audience just left.

Wolf & Cub played to a diminished crowd, but an enthusiastic one. At times mystical, the Adelaide psychedelic collective played a number of tracks from their new record Science and Sorcery, as well as some old favourites. One of the few bands around that makes the saxophone look cool again, their set was nothing less than powerful.

Something with Numbers bucked the day’s trend, creating a buzz of excitement in the crowd for bands without samples or scratches. Far more interesting was the scene outside in the bar, where no less than three security, several ambulance officers and seven (!) police officers encircled a single partygoer who had perhaps been having too much of a good time. While this incident resolved itself quickly, it typified the heavy-handed presence of the day. One was forced to wonder if some of the security moonlighted in prisons when not working festivals.

Given the trends of the day, it was no surprise that Bliss N Eso drew a massive crowd as the last act on the bill. Going from strength to strength of late, the hip hop group opened with old film reels and other multimedia clips. In this vein, the group delivered a very old school set that vibrated the floors of the Big Top. Aussie hip hop may once have been derided as inferior or marginal, but today was a reminder that the scene has found a legitimate presence in Australia.

Comments

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stantos

stantos said on the 9th Jun, 2009

No reviews on any of the earlier bands. Pretty disappointing really. Especially when you are saying Kram was good. Probably the worst act of the day by a long shot and this was evedent in the crowd dispersion.

Loomis

Loomis said on the 10th Jun, 2009

Couldn't see everything I'm afraid, and I hope you don't begrudge me sleeping in on a Sunday :-) I really enjoyed Kram at any rate, despite not being the world's biggest Spiderbait fan.

It was a shame I missed the earlier bands, agreed. Did you see any? There a couple I would have liked to see, but it was not Fated.

BTIazza

BTIazza said on the 10th Jun, 2009

In previous years, this festival was a great day out. Was pretty disappointed in the line up this year....and therefore, didnt attend.

stantos

stantos said on the 10th Jun, 2009

I thought DZ were pretty good, they became a little repetitive but there are some great songs in there. Here Come the Birds had a great response and a lot of interaction for an early crowd, solid set, good songs. The Protectors are starting to hit their stride in Syd, good stage presence, potential.

They are the three early bands that really stood out for me. And although past Come Together Festivals had more drawcards and greater contrast in day 1 and 2 themes, eg punk and indie, it seems that they are showing more interest in up and comers which is a good thing and the kids were into it.

BTW. excuse my poor spelling *evident*

andy_chalmers_102

andy_chalmers_102 said on the 10th Jun, 2009

I really didn't enjoy Come Together this year. There were too many drunk bogans, and the security guards were fucking mental. Hopefully this once great festival will return to its former glory next year.

Keely K

Keely K said on the 11th Jun, 2009

the security guards were mental. But DZ were so unreal! They ruin lives they are so good. It was so good to see red riders kicking out some new tunes as well. i've missed them bad.

yellowpen

yellowpen said on the 11th Jun, 2009

DZ were fucking sick
But everyone is right, this year was a pretty big let down
Kram sucks big time, and i got felted up by the security guards about ten times

Loomis

Loomis said on the 11th Jun, 2009

Hmm. Seems like I should have got there earlier for DZ! Yellowpen - totally agree with security, as implied in review. We got felt up as well (and not in a nice way), and they literally made me pull out a folded up piece of paper in suspicion, and lift up my shirt. It was just my belly that I was packing in the end.

Keely K

Keely K said on the 11th Jun, 2009

yeah but you probably bought that belt out of the back of some gnarly gansters car under the brooklyn bridge right?

So DZ are playing with Philly Jays and Bluejuice at the annandale on sat night. Im def going now...