St Vincent's Annie Clark elicits fervent adoration and passion from both sexes. Her music can be simultaneously sordid and salacious. Six months of touring Strange Mercy sees a band comfortable in its skin. Not tired, tight.
"Hey Perth, make some fucking noise!" Oh god no... the horror…the horror! Another mob of faceless beat ‘producers’ with fancy lasers, ADHD visuals and a build up/drop/repeat-till-dead scenario.
Miles Phillip’s new score re-positions the film as a masterpiece that might just as easily have been written and produced today.
The Wall is as about good as it gets when it comes to arena spectacles. A clinically executed piece of rock theatre that is unlikely to be surpassed in the near future.
Frequent fliers are up for Ford's molestations but there's always rabbit in the headlights moments that are equal parts entertainment and crime-in-progress. Good art does that.
Roger Waters' The Wall Production Manager Chris Kansy gave us a sneak peak behind The Wall in the lead up to the opening night of the show's Australian Tour.
Southbound 2012 was lower key than its previous incarnations, it was wildly successful in meeting its chilled out goal, whilst delivering a festival experience to remember.
With a new release to deliver from the pulpit, Bashers frontman Laith Tyranny preaches about sex and lowest common denominator entertainment.
Gomez hit Perth for their last night of the Splendour tour to the overwhelming gratitude of the sold out Astor crowd.
The next exciting instalment of the Southbound 2012 line-up drip-feed includes An Horse, CSS, John Butler Trio, Kimbra and The Head & The Heart.
“Bucolic oddness” is probably not an unfair description of the band’s sound which somehow manages to blend intimacy and domesticity with epic sweeping textures.
After months of anticipation, Red Hill introduced itself to the industry on Thursday night, and the industry was well impressed.
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