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Image for St Jerome's Laneway Festival sideshows

St Jerome's Laneway Festivalsideshows

We are in sideshow heaven this morning with the announcement of gigs for Feist, The Drums and dozens more St Jerome’s Laneway Festival bands. Boasting a lineup overflowing with indie goodness this year’s Laneway is gearing up to be on of the finest yet, but if you want a little bit on the side as well – here is all the info you need to know!

The Drums and Cults sideshows – presented by FasterLouder:
Friday 3rd February – Palace Theatre, Melbourne
Wednesday 8th February 2012 – Enmore Theatre, Sydney (All Ages)

Anna Calvi sideshows:
Friday 3rd February – Corner Hotel, Melbourne (18+)
Wednesday 8th February – Metro Theatre, Sydney

Feist sideshows:
Wednesday 1st February – Palais Theatre, Melbourne (All Ages)
Tuesday 7th February – Enmore Theatre, Sydney (All Ages)
Thursday 9th February – Thebarton Theatre, Adelaide (All Ages)

Glasser sideshows:
Wednesday 1st February – The Toff in Town, Melbourne
Wednesday 8th February – The Standard, Sydney (18+)

M83 sideshows:
Friday 3rd February – The Prince Bandroom, Melbourne
Thursday 9th February – Metro Theatre, Sydney

Twin Shadow sideshows:
Wednesday 1st February – Corner Hotel, Melbourne
Monday 6th February – Oxford Art Factory, Sydney

Wu Lyf sideshows:
Thursday 2nd February – Prince Bandroom, Melbourne
Monday 6th February – Metro Theatre, Sydney

Yuck and EMA sideshows:
Friday 3rd February – East Brunswick Club, Melbourne
Thursday 9th February – OAF, Sydney

Austra sideshows:
Thursday 2nd February – Northcote Social, Melbourne
Thursday 9th February – The Basement, Sydney

Active Child sideshows:
Sunday 29th January – Oxford Art Factory, Sydney
Wednesday 8th February – East Brunswick Club, Melbourne

Girls sideshows:
Thursday 2nd February – Oxford Art Factory, Sydney
Wednesday 8th February – Corner Hotel, Melbourne

Laura Marling sideshows:
Thursday 9th February – Sydney Opera House, Sydney
Thursday, 2nd February – Forum, Melbourne

The Horrors sideshows:
Thursday 2nd February – The Metro Theatre, Sydney
Friday 3rd February – Forum, Melbourne

SBTRKT sideshows:
Friday 3rd February – The Metro Theatre, Sydney
Thursday 9th February – The Prince of Wales, Melbourne

GIVERS and Portugal. The Man sideshows:
Tuesday 7th February – Metro Theatre, Sydney
Wednesday 8th February – UC Refectory, Canberra
Thursday 9th February – Corner Hotel, Melbourne

Chairlift sideshows:
Tuesday 31st January – Oxford Art Factory, Sydney
Tuesday 7th February – East Brunswick Club, Melbourne

Washed Out and Toro Y Moi sideshows:
Wednesday 8th February – Manning Bar, Sydney
Thursday 9th February – The Hi-Fi, Melbourne

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ThatDude123

ThatDude123 said on the 6th Feb, 2012

Okay so I guess I should post my account of what went down at Laneway.

Overall, it was a pretty awesome day. So great to see so many familiar faces around, and so few traditional Festival Gronks. The Sydney scene is okay sometimes, you know?

That said, BOTTLENECKS, EVERYWHERE. Fuck by about 6pm I was sick of the crowded spaces. And yes, it sure is picturesque but sandstone is in no way a good insulator nor a good addition to natural acoustics. By that I mean, unless you were right at the front of every gig, you heard the muddled, fucked up shit ever known to man. Active Child was this shitty sea of bass at the back. God forbid any of the harmonies survived.

Anna Calvi wins the Classy Award for everything. Portugal. The Man were my MVP. I saw Washed Out instead of M83 and there was space to dance and have fun and the last Washed Out LP > the last M83 LP so no matter what anyone says Washed Out won the end of night battle. SBTRKT played overtime cause he is a badass like that. He is still awesome. Best moment was when Jonti rickrolled his audience after being booed for finishing his set with Skrillex's Scary Monsters and Shitcunts

Now for the fun stuff.

You see, for those who don't know the layout of Sydney Laneway, it happens to be in an art college (formerly a mental institution, fact) that borders a really big open field with a natural amphitheatre. Laneway wanted to use said natural amphitheatre for the main stage this year but were told that it'd be a safety risk.

Tonight I learnt why.

On my way out of the venue, I tripped on the kerb, rolled down the hill, and hit one of the concrete holders of those wire fences they put up around a festival site. I bled like crazy. I had to be taken by ambulance to Sydney Hospital and get five stitches in my face. This is what I looked like after it all, complete with a kawaii pose.

http://a8.sphotos.ak.fbcdn.net/hphotos-ak-snc7/s720x720/402594_10150525371826674_581706673_9256125_1436995942_n.jpg

And this is what I looked like in the First Aid Tent:

http://28.media.tumblr.com/tumblr_lyxbupeNsa1qz9wquo1_500.jpg

sarcasm_mister

sarcasm_mister said on the 6th Feb, 2012

not so surprisingly i had an awesome day. picked up a few friends (all but one were completely smashed by 12) and got in a little before 3.

Austra - hadn't heard her album before hand but loved the big singles. i was initially struck by how good the sound quality was especially after all the reports of poor sound at other laneways. her vocals were spot on and even there was a bit too much fuzz for my liking it was a great performance.
Laura Marling - one of the main reason i was at the festival. i found a great spot in the shade and thoroughly enjoyed every moment of her set. was surprised at how many older songs she played, or rather how few new ones she did in her terribly short set. can't wait for the SOH on thursday.
Portugal. The Man - knew little or nothing about this lot beforehand so it was difficult to get into the performance much but the musicianship was very impressive. might need to take a closer look at them in the future.
Pizza Line - easily the longest set of the day. i thought it was over after 40mins but there was still another half hour left. thankfully it ended nicely.
Feist - massive crowd for this show. got there before she started but still ended up watching from behind a tree. probably the only set of the day where i wished they turned up the sound because as great as she sounded i could barely hear her over the huge crowd. left after 30mins wanting really bad to stay.
Yuck - the reason i left Feist. wow what a band! a great selection of songs and playing almost 40mins it felt like watching them at a headline show. their stoner stage presence went hand in hand with their music and wonderfully simple back drop.
The Horrors - i would love to talk about how great parts of this performance were but all i can remember and all my ears will ever remember will be the final 15mins, which ended up being nothing but senseless distortion and guitar bashing. worst 15mins in my 2 visits to laneway.
M83 - started right on time and the crowd was instantly hooked. it was entertaining to watch grown hipster men losing to their shit to these french folk. wish they had done another 10-15mins but no real complaints it was an amazing set and i now know why despite not being the biggest act on the lineup they were the main stage closer.

missed out on The Drums (chose to get a good spot for M83 instead) and Cults (at Pizza Line) but overall had an incredible day. i heard from someone there that they had increased the capacity to about 9000 for this years festival which is why it felt so much busier. already there for 2013 :)

sarcasm_mister

sarcasm_mister said on the 7th Feb, 2012

SMH review

A bit of Bowie for hatless masses
Reviewed by Bernard Zuel
February 7, 2012

LANEWAY FESTIVAL
Sydney College Of The Arts, Rozelle, February 5

BEST part of having it at Rozelle: The stone buildings, which not only offered visual and textural stimulation, but created sound barriers between the stages and set up natural performance spaces.

Worst part of having it at Rozelle: Not the five kilometre car park that was Victoria Road, or the need to keep the volume annoyingly low, but the cramped confines and poor sight lines of the smaller stages where some people took to climbing over barriers into gardens to get out during high demand sets such as Active Child. Speaking of Active Child, if you've ever wondered what a Handel countertenor playing with a doomy electro band from Sheffield might sound like, I have your answer.
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The decade of choice: Although there were two Bowie covers, with Portugal the Man offering All the Young Dudes and the even better Pajama Club bringing Moonage Daydream, it was clearly the late 1980s/early '90s, which ruled in most of the best sets of the day. Before the big keyboard washes of M83 made for classy handbag disco from France, Austra's fabulous blend of Teutonic coolness and dancetronic rhythms (not to mention the Canadians' deployment of dancing backing singers) brought to mind clever Trevor Horn-produced acts such as Propaganda. Both Chairlift and Twin Shadow took synth pulses into danceable rock (and held their shape better than Washed Out) and Yuck overlaid overdriven guitars and drones with tunes

Best outfit of the day: It looked like being the lycra leotard decorated in psychedelic swirls of purple and glittery stars. But then, spotted during the Horrors' crunchy, showy but somewhat dated rock set, were the knitted brown shorts. Yes, wool. Yes, shorts. Yes, they looked like a tea cosy with leg holes. Ladies and gentlemen we have a winner.

Favourite game of the day: Hunting down the shade - anywhere you could: against walls, under alcoves, behind that really tall bloke with the animal tatt. (A note for the anti-skin cancer marketing folk: you may have lost a generation here. If even 10 per cent of the Laneway audience were wearing hats on a long day of blasting sun, well, I'll eat my hat.)

Least favourite game of the day: Trying to find something semi-decent to eat. From the Big Day Out and Homebake to Harvest, we've grown used to reasonable choice and variety. Laneway had neither, what was there seemed to regularly run out and God help you if you were vegetarian.

Tip of the day: See Anna Calvi, Laura Marling and Husky if you ever have the chance.

sarcasm_mister

sarcasm_mister said on the 10th Feb, 2012

so laura marling.

i was right down the back for the show but being the Opera House i had a perfectly decent view. she started pretty much on time with The Muse, sadly her microphone was far too low and her 5 piece band simply drowned her out. it wasn't until the 3rd or 4th song of A Creature I Don't Know that the vocals hit the amazing quality expected at the venue. there is the possibility that she was a little overwhelmed by the occasion, something she did admit to throughout the evening. packing out a world famous venue at age 21 would overwhelm just about anyone let alone a character as shy and reserved as Laura. for the most part she was in fine form as she flew through the album effortlessly climaxing at Sophia which set up All The Rage to end Act 1 on a knee slapping high.

Initially the 20min break felt unnecessary and long but Laura explained that she really struggles to sit through a whole gig herself so i think the interval was for her sake than for the audience. Act 2 kicked off with Ghosts followed by another 2 tracks from the debut. At the end of that "Alas" section i noticed the stark difference in the tone of her voice between the album and on stage last night. the added maturity in it could have been forced or a natural progression of her voice either way it made for interesting viewing. between the 'Alas' section and the 'I Speak' she apologetically threw in a new song (something i really admire about her) which was received with rapturous applause but didn't give us much insight into the direction she might be heading in for her 4th album. the last half hour of the show was taken up by half a dozen songs from 'I Speak' each divided by banter that had the 2000 fans in fits of laughter.

even though she did 22 songs the show felt somewhat short. i would have happily sat through a performance of all 3 albums in full. nevertheless it was awesome to be part of that show. it's always a little extra special when you can tell that the show is as much of a big deal for the artist as it is for you as a fan. last night at the Opera House was a perfect example of just that.

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