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www.fasterlouder.com.au

The Tote to close this weekend

CHECK OUT FL’S PHOTO TRIBUTE TO THE TOTE.

The heart and soul of Melbourne’s music scene, the iconic Tote Hotel, is closing its doors forever this weekend.

Publican Bruce Milne released this statement earlier today:

It’s last drinks at the Tote. This weekend.

I know it’s sudden. I didn’t plan it to be like that.

I can’t afford to keep fighting Liquor Licensing. The “high risk” conditions they have placed on the Tote’s license make it impossible to trade profitably. I can’t afford the new “high risk” fees they have imposed. I can’t afford to keep fighting them at VCAT. I can’t renegotiate a lease in this environment.

So, come into the Tote this weekend to say farewell to the sad staff and to feel the sticky carpet for the last time.

I don’t believe the Tote is a “high risk” venue, in the same category as the nightclubs that make the news for all the wrong reasons. Despite being on a rough little corner of Collingwood, the Tote has had very, very few incidents. As a local police officer once said, “The Tote’s the quietest pub in the area.” (!).

It’s not dumb luck that the Tote has escaped serious violence. I believe the business has been run responsibly. People don’t come to the Tote to fight. They come because they have a passion for music and love to be in an historic venue that reeks of that same passion.

The Tote is (sorry, was) an important cornerstone of Melbourne’s rich and diverse music community. It’s too late to save the Tote but not too late to try and save other inner city venues that are feeling the same pressures.

I know the sudden closure affects a lot of people. Most importantly, the hard-working staff that are being forced onto the dole queue. And the bands and artists that have had their gigs pulled from under them.

Anyway, I don’t want to get maudlin (or viciously angry). The era of the Tote is over. If you love the place, come and have a beer with us this weekend.

FL is officially in mourning.

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secondclassciti

secondclassciti said on the 15th Jan, 2010

Rundle: memo state Labor governments, occasioned by the closing of the Tote
by Guy Rundle

THE Tote Hotel, one of Melbourne’s most influential live music venues — and late-night haunt for musicians and fans alike — will shut its doors early next week.

Embattled owner Bruce Milne, who purchased the licence with his brother James in 2001, said yesterday the Tote was a victim of liquor licensing measures that deem his business a ”high-risk venue” on par with King Street’s nightclubs.

 — The Age

So you’ve become Premier/Minister/hack MP in a 21st century Labor government in Victoria. Congratulations! All those years of crap in student politics, sucking up to branch fixers, etc, have paid off.

You’ve managed to avoid ever having an actual job, taking your place in a self-selecting political caste of teenage misfits who joined Young Labor to find someone who’d talk to them.

Now you run a whole state, with a city of three-and-a-half million people as its centrepiece — a one-time industrial and commerce centre now globally famous as a centre of art, design, music, writing, etc. Over two decades, assisted by some judicious decisions by past governments of both parties, your capital city has gone from being a famously dour black hole to a huge cultural and tourist enterprise, as well as a genuine hub of new ideas.

Your mission is clear: kill it.

First, of course, you’ve got to pay lip service to it, with endless boilerplate speeches about new life in old cities, etc. But really
goddam I mean, culture. Henry Bolte had all the luck. Grow it, dig it up, bang it into shape and sell it. How to get it back to that torpid, easily managed condition?

First off, let the police dictate social policy. This makes the difficult task of squaring off the claims of free citizenship versus social order by abolishing the former. Once you see society through the eye of the police — as simply a problem to be managed — things will be much easier. They can run the state as an enormous stop and search zone, and you can get on with sub-factional fights between “the Pack” and “the Ring” or whatever six fat groupers in the East Bumcrack branch are calling themselves now.

Second, there’s only one person who matters at the end of the day. No, not the voter, what are ya? I mean the editor of the Herald Sun. Treat every panic as accurate reporting, and assume that every area of social life needs the sort of control applied to the worst areas. Treat every hole-in-the-wall bar as if it were a King St bloodhouse, and make every children’s party at the Ola Cohn fairy tree have two security staff, just in case there’s a red cordial incident.

You can then govern in the spirit by which Hilaire Belloc defined puritanism — “the fear that someone somewhere may be having fun” — and let’s face it, these musos, artists, etc, can be arseholes. Remember how everyone laughed at you when you said that the city needed to wipe out all the stencil art and put in window boxes and flowerpots? Who doesn’t like flowerpots? Jeezis. Next they’ll be making fun of your Enya CDs, or your DVD box set Films of Ron Howard.

Sometimes you may accidentally find you do something interesting, such as build a world-class building at Southern Cross station, a truly striking masterwork. You must screw this up as quickly as possible. First put a bunker-style factory outlet next to it — and just in case it doesn’t stuff up the look, connect it to the building so that it does. Then, when people are consoling themselves that at least it looks great from the other end, let The Age put up a third-rate shed that ruins the roofline along the street.

Remember, it’s not enough to do bad urban design. The mark of a 21st century Labor government is to act as if urban design matters, spend tens of millions extra on the architecture — and then screw it up, almost gleefully. What you really need to communicate to people is your half-hearted commitment to the city, your lack of follow-through, and your deeper buried hostility to these frikkin citizens, yap yap yap yap all the time, when you’re about to lose East Bumcrack Macedonian branch to the TWU-MORO front subfactions.

Now, you’re getting into your stride, and you can really focus on making the city as diminished as possible. There’s a lot of bars and cafes around. Wonder how come they sprang up? Whatever, there’s such a shedload that raising their license fees 500% will really help pay for a decade of incompetent public transport stuff-ups. Besides, all that noise those music venues make — how we supposed to get on with making a global city of culture with all that mofo racket? Jeezis.

Besides, getting rid of all that music makes it easier to put up oversized slab-tilt apartment blocks  — vital if you’re to destroy whatever distinctive selling point a Victorian city has, and a way of avoiding innovative and dynamic solutions to population growth. Use Docklands as an example — let corporate clients dictate the planning of remaining inner-urban land, and create that most amazing of things, a pre-fabricated urban wasteland. Label it “the Warsaw end of Collins Street” and put it on the Neighbours tour. Add in the huge white elephant film studio you built against the advice of every uncompromised media industry figure, who told you it would be undercut by cheaper facilities within five years, and technically obsolete within 10.

But at least throw a bone to the city’s stand-up comedians — call the farcically mismanaged smart-ticketing system “Mickey”.

Finally, attend a glittering series of official functions for organisations piggybacking on the culture you’re killing. Wonder why everyone’s so angry at you. Resolve to redouble your war against the public.

Above all, be secure in the knowledge that tens of thousands of bar owners, musos, activists, etc, will not get themselves together to mount a high-profile, high-volume campaign in your marginal electorates, scaring the hell out of you. Rest assured they’re too unfocused and whiny to combine their significant financial resources, high-profile public image and creative energies to give you a problem you can’t ignore.

Quietly order the old 6 o’clock closing legislation from the archives …

Put on some Enya..

grattan

grattan said on the 18th Jan, 2010

Just in case we needed another reason to hate the Blueprint fuckwits:

(From today's Crikey)

"And to add the burden on the much loved venue, which is believed to have been skirting close to the red for years, Crikey can reveal that Milne was also the victim of booze deal gone wrong at the hands of the Blueprint music festival.

Last year The Tote sold about $75,000 worth of beer to the festival, which later collapsed owing creditors hundreds of thousands of dollars, despite performance agreements with high-profile artists including Tim Rogers and Bertie Blackman.

Under a deal struck with Carlton and United Breweries, Milne told Crikey he is required to pay $500 a week to the brewery, and that while it wasn't the main reason for shutting up shop, didn't help the venue's bottom line as he battled to keep it afloat.

"It was contributing factor, especially in terms of fighting against liquor licensing. $500 a week is not insubstantial to a business the size of the Tote."

According to Ararat farmer David Powne, who hosted the festival, about 50 slabs of beer were stolen from a paddock at the festival site, with the Tote denied any of the proceeds from festival sales. Some of the beer made it back to Melbourne, while other slabs were allegedly sold by the festival's organisers to a local supermarket to recoup costs.

Blueprint organisers Tristan and Aaron Grey went to ground after the festival's demise in October, leaving a trail of angry creditors. Cheques issued by the brothers bounced despite claims that the festival was underwritten by their mother."

grattan

grattan said on the 19th Jan, 2010

The next victim of the insane licencing fees?

http://media.crikey.com.au/wp-content/uploads/2010/01/swordswine.jpg

From Crikey:

The controversial one-size-fits-all approach to Victoria’s liquor licensing laws is again under fire after a Queen Victoria Market wine shop was classified as a “high risk” in the same league as a 1,000-capacity South Melbourne superclub.

In a echo of the scandal that caused storied rock pub The Tote to shut its doors yesterday, Swords Wines, which specialises in refillable flip-top bottles, is regarded as dangerous because the produce markets in which it trades open before 9am. Under the new laws, “ordinary” trading hours are between 9am and 11pm.

Swords operates four outlets at markets across Melbourne and has a retail store at Clifton Hill. On a Saturday it opens at 6am at the Queen Victoria Market, alongside other shopfronts in the Dairy and Produce section.

Managing Director Brendan Beattie told Crikey he has been saddled with an extra $11,697.60 in fees this year, which were due to be paid on 1 January. Beattie applied for an exemption, but because he employs over 5 full-time staff, the request was slapped down in a tersely worded letter from controversial liquor licensing chief Sue Maclellan.

“The recent amendments to the Liquor Control Reform Act 1998 do not provide a process for an exemption from payment of fees or an alternative classification for premises such as yours,” Maclellan wrote on 7 January.

“I regret I cannot be of further assistance.”

In a previous letter, Maclellan infers that Swords’ business could propagate “alcohol related harm”, presumably wrought by early-morning revellers on their way home from nightclubs that share its “high risk” status.

Beattie said that liquor behemoths, including many Dan Murphy’s stores, were only required to pay the base fee of $795 — $5565 less than Swords’ Victoria Market outlet.

“When I spoke to Sue Maclellan she simply said you are obliged to pay the fees this year and we’ll try and consider you next year. There was never any consultation and I don’t believe they’ve given it any thought.”

He said he has no choice but the pay the fees, which are now due on 21 January, otherwise he would be forced to shut his doors.

The controversial changes to the Liquor Licensing Act, based on a contested report by a group of external consultants, have already claimed one scalp with yesterday’s forced closure of The Tote amid a $60,000 doubling in compulsory security costs.

Victorian Shadow Consumer Affairs Spokesman Michael O’Brien told Crikey the laws, introduced into state parliament last year, were a “disaster”. “The fees have increased to $35.8 million this year and this is just an excuse for a $20 million tax grab.”

“The law can’t be risk-based if it doesn’t discriminate between a King Street nightclub and The Tote, or a mum and dad corner store and a Dan Murphy’s.”

Swords told Crikey they were required by market management to align their opening hours with other stores on the premises.

Last night at The Tote’s swansong, high-profile bands including The Meanies and Spiderbait slammed the state government and the Liquor Licensing Commission and expressed their support for outgoing Tote licensee Bruce Milne.

On Sunday, Maclellan launched an extraordinary attack on Milne, lashing The Tote for a string of license breaches and accusing the music scene stalwart of dishonesty.


Arrrgh... state politics: the refuge of the moron.

grattan

grattan said on the 20th Jan, 2010

Crikey again: (They've done a great job covering this)

Security requirements for inner city Melbourne music venues are set to be slashed in a desperate government bid to save live music from the scrapheap amid spiralling liquor licensing costs and a looming state election.

As hallowed punk-rock incubator The Arthouse announced it was going the way of The Tote and shutting its doors next year, the owner of several live music venues, and a leading candidate to take over The Tote's license, Jon Perring, told Crikey he will meet next week with Victorian gaming minister Tony Robinson to thrash out a new deal that would see security linked to a venue's alcohol sales as opposed to current laws which are triggered by the presence of "live or amplified music".

"I'll be seeing Tony Robinson. It's a no-brainer to fix, it just requires the commission to de-link security compliance with live music and relate it to alcohol consumption," Perring said.

"There's no relationship between live music and violence. If we can't fix this problem there's no way of saving the Tote. It'll be hasta la vista baby and we'll be back to watching Lateline."

A major factor in the demise of The Tote under licensees Bruce and James Milne was a doubling in security expenses from $60,000 to $120,000 a year after the venue was issued with a a new set of demands by Liquor Licensing Victoria chief Sue Maclellan. The increase dwarfed the hike in fees under the new risk-based framework for licensed venues, which was only about $1,600.

Perring said Maclellan, the Victoria Police and other inner city venue owners will be involved in the discussions, that would see venues assessed on a case-by-case basis, rather than the current approach which has lumped Tuesday afternoon ukulele acts in with sold-out Saturday night rock shows. In both cases, venues are required to employ two security guards for the first 100 patrons and another guard for every 100 after that, regardless of the level of perceived "risk".

Letters sent from Liquor Licensing Victoria to several venues this week demand that owners abide by formal requirements over security guards and CCTV, as well as stump up for extra license fees.

A spokesperson for the state government, Rebecca Harrison, told Crikey that the Director of Liquor Licensing had the power under the Act to "exempt or modify business from the high risk conditions on a case by case basis".

Late this morning The Arthouse revealed it was also set to close as a result of the new laws that came into effect on 1 January. In a statement released to music website Mess and Noise , Arthouse manager Melanie Bodiam said that she had altered her licence to trade until 1am to avoid a hike caused by the fresh fees, denying it vital revenue from late night alcohol sales.

“The Arthouse is affected by the new liquor licensing laws that kicked in on the 1st of January this year. As a consequence we are now licensed till 1am opposed to 3am as before. I’m sure you can imagine the impact of loss off revenue and staffs wages.” A "frosty" relationship with the venue's landlord was also to blame.

The case of The Tote was also compounded by the circumstances of the lease, which was a month-to-month proposition, and the personal financial situation of Milne, who is believed to be hovering close to bankruptcy. On Monday, Crikey revealed that Milne was struggling under the weight of a $75,000 bill owed to Carlton and United Breweries from a failed booze deal with the collapsed Blueprint music festival. A Tote staff member was dismissed as a result of the transaction.

On ABC radio this morning, millionaire Tote landlord Chris Morris went into more detail on the state of the hotel, revealing he had recently granted Milne a "rent holiday" as he struggled to keep the business afloat.

The other major concern is believed to be the physical state of the building, which will require substantial investment from Morris' Colonial Leisure before a new lease can be offered. Prospective proprietor Perring told Crikey that despite the latest hiccups, The Tote remained a viable business.

The issue of live music venues is considered a serious election issue by the state government, especially in marginal inner-city electorates that could see sitting members skittled by the Greens. The member for Richmond, Richard Wynne, is sitting on a tenuous 3.1% buffer in his electorate, which includes The Tote. The electorate of Melbourne, which includes The Arthouse, is held by Bronwyn Pike by an even slimmer margin of 1.9%.