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www.fasterlouder.com.au

Thom Yorke turns down Sir Paul

When you’re as formidably talented as Radiohead frontman Thom Yorke, even a former Beatle can’t seduce you with his star power. Sir Paul McCartney told Channel 4’s T4 program in the UK that he’d approached Yorke to record a song together, and was turned down.

“My daughter was putting an album together and she put us in touch,” he revealed. “I asked Thom to do a duet, but he said he couldn’t because he only felt happy working on his own and Radiohead’s material.”

Surely that’s some kind of landmark snub? Yorke must have changed his tune (or not fancied the proposal), because in 2000 he joined PJ Harvey on the excellent This Mess We’re In.

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theworldisround

theworldisround said on the 22nd Nov, 2007

I feel somewhat obliged to comment...
precisely the reason why I should not go through with said comment.

Firstly, to clarify a few matters (many of which will merely be reiterations):

- One should not remove credit where credit is due. Joseph Lister is (arguably) the founder of antiseptics. To pipe up with "Oh, but if he didn't, then someone else would have" is ludicrous, because the simple fact is, someone else didn't. HE founded antiseptics, so HE deserves the credit. As do The Beatles deserve credit for their contribution. (Should we no longer congratulate the winner of a race? After all, if they didn't win someone else would have?) Excuse me while I go console my sister, because HECK! If Einstein hadn't of developed the Theory of Relativity, then she would have!

- The Beatles didn't invent pop music. We all know that pop music was stolen from the black man. End.

PS Nothing is ever reallllly invented. All inventions stem from a previous discovery. The world - and the inventions/discoveries that occur within it - are in a constant state of flux.

- As for 'inoffensive', I wish to remind (or perhaps inform) your-lovely-selves of a few (non-exhaustive) instances that occurred throughout The Beatles career (for this, I choose to quote from Wikipedia, just to nudge my credibility). While these instances may not involve the raping of small children, they still suggest material of an offensive nature (always remember to process material within the context of the time it once existed):

1. "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry."
* Royal Variety Performance in London (4 November 1963) attended by Queen Elizabeth, the Queen Mother, and Princess Margaret. John had intended to say "fucking jewelry", but was persuaded against doing so by Paul McCartney and the group's manager Brian Epstein.

2. "Christianity will go. It will vanish and shrink. I needn't argue with that; I'm right and I will be proved right. We're more popular than Jesus now; I don't know which will go first rock and roll or Christianity. Jesus was all right, but his disciples were thick and ordinary. It's them twisting it that ruins it for me."
* One of the most controversial statements Lennon ever made, this was published in England's Evening Standard newspaper (4 March 1966) as part of an interview with writer Maureen Cleave. This single quote (taken out of context Lennon was often misquoted as stating the Beatles were "bigger than Jesus") was to spark protests across the Bible Belt in America. Beatles records were burned en masse, and the Ku Klux Klan burned a Beatles effigy and nailed Beatles albums to a burning cross. The band members were dismissive of this, as they pointed out that first the people had to buy the albums in order to burn them.

3. Elvis Presley disapproved of The Beatles's anti-war activism and open use of drugs, later asking President Richard Nixon to ban all four members of the group from entering the United States. Peter Guralnick writes, "The Beatles, Elvis said, [...] had been a focal point for anti-Americanism. They had come to this country, made their money, then gone back to England where they fomented anti-American feeling." Guralnick adds, "Presley indicated that he is of the opinion that The Beatles laid the groundwork for many of the problems we are having with young people by their filthy unkempt appearances and suggestive music while entertaining in this country during the early and middle 1960s."

Look no farther than the 'intellectual goldmine' that is Wikipedia, and you may indeed find that The Beatles offended their share of high-profile figures; the Queen, the Lord (Jesus) and the King (Elvis).

And before anyone harks up with a royal "Yeh, well that jus provezzz that Da Beatlez were offensive ppls, but deir muzick is still inoffensive", I'll salute you with a "Plz go listen to da White Album".

- As for the 'music revolutionaries' tag, again, I wish to cite Wikipedia for all it's convenience and iconic status. I also refer you to http://en.wikipedia.org/wiki/The_Beatles%27_influence_on_music_recording for further examples:

1. The song "Rain" has the first example of a backwards vocal. John Lennon had taken a tape of the song to his house to see what he could do with it and accidentally played it backwards, which he liked.

2. During the recording of "Eleanor Rigby" on 28 April 1966, McCartney said he wanted to avoid "Mancini" strings. (It is possible that Mantovani was actually the style that McCartney wanted to avoid.) To fulfil this brief, Geoff Emerick close-miked the strings the microphones were almost touching the strings. George Martin had to instruct the players not to back away from the microphones.
In 1966, this was considered a radically new way of recording strings; nowadays it is common practice.

3. The song "I Feel Fine", recorded on 18 October 1964, starts with a feedback note tone produced by plucking the A-string on McCartney's bass guitar, which was picked up on Lennon's semi acoustic guitar. Speaking in his last interview with the BBC's Andy Peebles Lennon said this was the first use of feedback on a pop record. In The Beatles Anthology series, George Harrison said that the feedback started accidentally when a guitar was placed on an amplifier but that Lennon had worked out how to achieve the effect live on stage. In The Complete Beatles Recording Sessions, Mark Lewisohn states that all the takes of the song included the feedback so it can be presumed that this had happened during a rehearsal of "I Feel Fine".
Also in the Anthology series, the Beatles are shown performing "I Feel Fine" live at the New Musical Express awards. Lennon can be seen turning to face the guitar amplifiers during the guitar solo, presumably to get the feedback effect and also indicating that the feedback was not restricted to the start of the song.

And as 'popular culture revolutionaries' (reference: http://en.wikipedia.org/wiki/The_Beatles%27_influence_on_popular_culture):

1. In the mid-1960s, the Beatles began filming promotional music videos for their songs, which they sent to television networks in lieu of appearing in person.
"Strawberry Fields Forever" was made in 1967. It used many techniques previously only seen in experimental film, including intricate jump-cuts that rapidly alternated between night and day, reversed film, and other avant-garde devices. These techniques were later copied and the use of such film and videos started the now common practice of releasing a video clip to accompany singles.

2. Prior to the Beatles' influence, record albums were of secondary consideration to singles ("45s") in mass marketing. Albums contained largely "filler" material (unexceptional songs) along with one or two hits. The Beatles rarely incorporated singles as part of their albums, thus defining the album as more important.

3. The Beatles were the first entertainment act to stage a large stadium concert. At Shea Stadium, New York City on Sunday, August 15, 1965 the group opened their 1965 North American tour to a record audience of 55,600. [7] It was the first concert to be held at a major outdoor stadium and set records for attendance and revenue generation, demonstrating that outdoor concerts on a large scale could be successful and profitable.

I leave my comment here, cheifly due to my doubt that anyone has bothered to read this far. If nothing else, I hope you've all realised the power of Wikipedia. Before you get on your high-horse, be sure you know your subject, or at least 'exert' yourself by browsing the archives of Wikipedia. "Ahhh the sweet smell of incredibility" you say. I can hear the desperate sound of fingers tapping away at keyboards already...

XO

dream_vs_scream

dream_vs_scream said on the 22nd Nov, 2007

I feel somewhat obliged to comment...
precisely the reason why I should not go through with said comment.

Firstly, to clarify a few matters (many of which will merely be reiterations):

- One should not remove credit where credit is due. Joseph Lister is (arguably) the founder of antiseptics. To pipe up with "Oh, but if he didn't, then someone else would have" is ludicrous, because the simple fact is, someone else didn't. HE founded antiseptics, so HE deserves the credit. As do The Beatles deserve credit for their contribution. (Should we no longer congratulate the winner of a race? After all, if they didn't win someone else would have?) Excuse me while I go console my sister, because HECK! If Einstein hadn't of developed the Theory of Relativity, then she would have!

- The Beatles didn't invent pop music. We all know that pop music was stolen from the black man. End.

PS Nothing is ever reallllly invented. All inventions stem from a previous discovery. The world - and the inventions/discoveries that occur within it - are in a constant state of flux.

- As for 'inoffensive', I wish to remind (or perhaps inform) your-lovely-selves of a few (non-exhaustive) instances that occurred throughout The Beatles career (for this, I choose to quote from Wikipedia, just to nudge my credibility). While these instances may not involve the raping of small children, they still suggest material of an offensive nature (always remember to process material within the context of the time it once existed):

1. "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry."
* Royal Variety Performance in London (4 November 1963) attended by Queen Elizabeth, the Queen Mother, and Princess Margaret. John had intended to say "fucking jewelry", but was persuaded against doing so by Paul McCartney and the group's manager Brian Epstein.

2. "Christianity will go. It will vanish and shrink. I needn't argue with that; I'm right and I will be proved right. We're more popular than Jesus now; I don't know which will go first rock and roll or Christianity. Jesus was all right, but his disciples were thick and ordinary. It's them twisting it that ruins it for me."
* One of the most controversial statements Lennon ever made, this was published in England's Evening Standard newspaper (4 March 1966) as part of an interview with writer Maureen Cleave. This single quote (taken out of context Lennon was often misquoted as stating the Beatles were "bigger than Jesus") was to spark protests across the Bible Belt in America. Beatles records were burned en masse, and the Ku Klux Klan burned a Beatles effigy and nailed Beatles albums to a burning cross. The band members were dismissive of this, as they pointed out that first the people had to buy the albums in order to burn them.

3. Elvis Presley disapproved of The Beatles's anti-war activism and open use of drugs, later asking President Richard Nixon to ban all four members of the group from entering the United States. Peter Guralnick writes, "The Beatles, Elvis said, [...] had been a focal point for anti-Americanism. They had come to this country, made their money, then gone back to England where they fomented anti-American feeling." Guralnick adds, "Presley indicated that he is of the opinion that The Beatles laid the groundwork for many of the problems we are having with young people by their filthy unkempt appearances and suggestive music while entertaining in this country during the early and middle 1960s."

Look no farther than the 'intellectual goldmine' that is Wikipedia, and you may indeed find that The Beatles offended their share of high-profile figures; the Queen, the Lord (Jesus) and the King (Elvis).

And before anyone harks up with a royal "Yeh, well that jus provezzz that Da Beatlez were offensive ppls, but deir muzick is still inoffensive", I'll salute you with a "Plz go listen to da White Album".

- As for the 'music revolutionaries' tag, again, I wish to cite Wikipedia for all it's convenience and iconic status. I also refer you to http://en.wikipedia.org/wiki/The_Beatles%27_influence_on_music_recording for further examples:

1. The song "Rain" has the first example of a backwards vocal. John Lennon had taken a tape of the song to his house to see what he could do with it and accidentally played it backwards, which he liked.

2. During the recording of "Eleanor Rigby" on 28 April 1966, McCartney said he wanted to avoid "Mancini" strings. (It is possible that Mantovani was actually the style that McCartney wanted to avoid.) To fulfil this brief, Geoff Emerick close-miked the strings the microphones were almost touching the strings. George Martin had to instruct the players not to back away from the microphones.
In 1966, this was considered a radically new way of recording strings; nowadays it is common practice.

3. The song "I Feel Fine", recorded on 18 October 1964, starts with a feedback note tone produced by plucking the A-string on McCartney's bass guitar, which was picked up on Lennon's semi acoustic guitar. Speaking in his last interview with the BBC's Andy Peebles Lennon said this was the first use of feedback on a pop record. In The Beatles Anthology series, George Harrison said that the feedback started accidentally when a guitar was placed on an amplifier but that Lennon had worked out how to achieve the effect live on stage. In The Complete Beatles Recording Sessions, Mark Lewisohn states that all the takes of the song included the feedback so it can be presumed that this had happened during a rehearsal of "I Feel Fine".
Also in the Anthology series, the Beatles are shown performing "I Feel Fine" live at the New Musical Express awards. Lennon can be seen turning to face the guitar amplifiers during the guitar solo, presumably to get the feedback effect and also indicating that the feedback was not restricted to the start of the song.

And as 'popular culture revolutionaries' (reference: http://en.wikipedia.org/wiki/The_Beatles%27_influence_on_popular_culture):

1. In the mid-1960s, the Beatles began filming promotional music videos for their songs, which they sent to television networks in lieu of appearing in person.
"Strawberry Fields Forever" was made in 1967. It used many techniques previously only seen in experimental film, including intricate jump-cuts that rapidly alternated between night and day, reversed film, and other avant-garde devices. These techniques were later copied and the use of such film and videos started the now common practice of releasing a video clip to accompany singles.

2. Prior to the Beatles' influence, record albums were of secondary consideration to singles ("45s") in mass marketing. Albums contained largely "filler" material (unexceptional songs) along with one or two hits. The Beatles rarely incorporated singles as part of their albums, thus defining the album as more important.

3. The Beatles were the first entertainment act to stage a large stadium concert. At Shea Stadium, New York City on Sunday, August 15, 1965 the group opened their 1965 North American tour to a record audience of 55,600. [7] It was the first concert to be held at a major outdoor stadium and set records for attendance and revenue generation, demonstrating that outdoor concerts on a large scale could be successful and profitable.


I don't think anybody at any stage throughout this thread denied what the beatles did for the evolution of music so about 3/4 of your post was inane/unnecessary. Because the Beatles wrote a few songs with slightly offensive lyrics does not make them at all special. This is a band who came into being during Bob Dylan's career so they certainly don't deserve much credit for the rebellious songs which they did write. If you want to talk about the rebelliousness of the Beatles you probably should have mentioned something about their appearance, particularly their haircuts. Your precious little Wikipedia let you down there didn't it

In response to the inoffensive pop argument, just because they wrote those songs does not make them a protest band or anything of that nature. Just because Pink wrote that stupid Dear Mr President song doesn't make her a rebellious artist or make that god forsaken song a protest song. She is renowned for writing migraine inducing pop music about riding in her boyfriends car etc. Same goes for the Beatles. They are/were renowned for writing lyrics like "she loves you yeah yeah yeah" and "I want to hold your hand". They are renowned for being a cheesy pop band that write easy listening music that you wouldn't be scared to play in front of your parents.


In regards to the context argument, sure they did a hell of a lot and their music was mindblowing FOR THEIR TIME. Since this is a thread comparing and contrasting between modern artists (Thom Yorke) and artists from the 60's (Beatles) I think it should be noted that in comparison to the music which has evolved since their arrival the Beatles music is not half as mindblowing as what it once was. We can all talk about how great the Beatles were for their time and how they did amazing things for music but that's all they really deserve credit for. Sure they had primitive recording gear etc which denied them the access to the superior technology which today's artists do but when you judge them for their music alone in relation to the music produced by the bands since them, it is still bland, inoffensive and cheesy pop music which they are (and will continue to be) renowned for.

theworldisround

theworldisround said on the 22nd Nov, 2007

I don't think anybody at any stage throughout this thread denied what the beatles did for the evolution of music so about 3/4 of your post was inane/unnecessary. Because the Beatles wrote a few songs with slightly offensive lyrics does not make them at all special. This is a band who came into being during Bob Dylan's career so they certainly don't deserve much credit for the rebellious songs which they did write. If you want to talk about the rebelliousness of the Beatles you probably should have mentioned something about their appearance, particularly their haircuts. Your precious little Wikipedia let you down there didn't it

In response to the inoffensive pop argument, just because they wrote those songs does not make them a protest band or anything of that nature. Just because Pink wrote that stupid Dear Mr President song doesn't make her a rebellious artist or make that god forsaken song a protest song. She is renowned for writing migraine inducing pop music about riding in her boyfriends car etc. Same goes for the Beatles. They are/were renowned for writing lyrics like "she loves you yeah yeah yeah" and "I want to hold your hand". They are renowned for being a cheesy pop band that write easy listening music that you wouldn't be scared to play in front of your parents.


In regards to the context argument, sure they did a hell of a lot and their music was mindblowing FOR THEIR TIME. Since this is a thread comparing and contrasting between modern artists (Thom Yorke) and artists from the 60's (Beatles) I think it should be noted that in comparison to the music which has evolved since their arrival the Beatles music is not half as mindblowing as what it once was. We can all talk about how great the Beatles were for their time and how they did amazing things for music but that's all they really deserve credit for. Sure they had primitive recording gear etc which denied them the access to the superior technology which today's artists do but when you judge them for their music alone in relation to the music produced by the bands since them, it is still bland, inoffensive and cheesy pop music which they are (and will continue to be) renowned for.


Ahem.
Music does evolve, BUT evolution doesn't necessarily translate to superiority. Superiority (most certainly in this case) is subjective, and as such shouldn't be addressed in what I presumed thus far to be an objective argument. Who has jurisdiction to state with authority that Radiohead are superior to The Beatles? Of course, we all have authority to comment that one band is superior to another in our own view. But to state with absolute authority that all music succeeding The Beatles is of a superior quality, is beyond ridiculous. Sure, with the advent of new technology, the equipment now available is superior to that available in the 1960's, but the 3 fundamental components of music - that is melody, harmony and rhythm - have gained no superiority (of note). The last significant progression in music was the invention of the synthesizer, which allowed rhythmic complexities and tonal elements that were previously unattainable. This, however, is example only of technological advance. In terms of the 3 fundamental elements of music, the last points of significance were Stravinsky's experimentation with rhythm (collage like assemblage of sound) and Schoenberg's 'serial music' (all 12 notes of the chromatic scale were assigned equal importance, resulting in a loss of key and tonality and also redefining traditonal harmony). Then of course, in terms of popular music, improvisation, timing and syncopation used in jazz music, etc. Major genre shifts, while providing progression in terms of sound (in a general sense might I add) are not keystones in the development of music's fundamental elements. They are merely stylistic changes, that cannot be determined in measures of superiority. Blah blah tangent blah. 1980's new-wave cannot be determined as superior to 1930's jazz. An artists's brushstroke today is no more superior than an artists brushstroke 500 years ago. Style has certainly evolved, but the fundamentals have been established for quite some time. End.

This argument, secondly, is not about myself labelling The Beatles as inoffensive. I was merely trying to open a few eyes; not, as you state, prove them to be a protest band. This, is another argument all together. The most powerful protests, at times, are those that remain defensive. And being offensive by no means entitles one to be labelled as special. It just adds that touch of pizazz that the youth can desperately cling to, and wrap themselves up in when the man stabs them in the back. Punk music was successful thanks to youthful desperation.

The reason I didn't mention their haircuts is plain and simple. Lord! Imagine the potential backlash I could have faced had I mentioned a musician's haircut as the essence of their influence? That would be a lesson in public shame. Such comments lack all sense of credibility (much like my precious Wikipedia). In addition, The Beatle's haircuts were not particularly offensive, in fact, when The Rolling Stones hit the market (with their long unruly locks) The Beatles were labelled as pretty boy conservatives, donning perfectly barbered hair and tailor-made suits.

Bland and cheesy are two words that The Beatles are hardly 'renowned' as being. Do veterans and critics of music celebrate The Beatles blandness? Are The Beatles noted in history books as famous for being cheesy? Again, subjective comments. Renowned is a statement that goes beyond minor opinion. It is a matter of major opinion, published opinion etc.

And as aside, I would remain content - if I were an artist - with the accolades of being mindblowing for my time and doing amazing things for music. I daresay few musicians today are awarded such praise (and from public haters no less!).

disasterplan

disasterplan said on the 23rd Nov, 2007

You seem to be missing what I'm saying. I am aware that the Beatles career didn't solely consist of simplistic pop music. But it is that music for which they are renowned. You said yourself that the the Beatles invented the pop rulebook. Now you wouldn't say the Beatles invented the rulebook on deconstructing your own sound now would you?

This argument is getting worse with DP saying they did start with inoffensive pop then went progressive, theworldisround telling me that they didn't write inoffensive pop and that I'm not allowed to claim that because Wikipedia doesn't say anything about it.

I'm not contributing to anyone else's argument. I'm just opposing yours. You're assuming that my argument has to be cohesive with the other arguments against you. Says who?

Now my main point isn't too hard to grasp. Their early albums defined a relatively standard pop sound and built their reputation... before their 1966+ material broke all those rules. I'm not going to start arguing in favour of them being the first to break the rules - that horse has been flogged already.

And to claim that they're renowned for their earlier pop material would be equally stupid. Ask anyone in the street to name a Beatles album and I'll bet my left testicle (but not my right - I like him) that 90% or more will name Revolver or something later. Sgt Pepper's, Abbey Road, Let it Be, Rubber Soul - none of their most famous releases fit in with the type of pop you got on With The Beatles etc.

dream_vs_scream

dream_vs_scream said on the 23rd Nov, 2007

I'm not contributing to anyone else's argument. I'm just opposing yours. You're assuming that my argument has to be cohesive with the other arguments against you. Says who?

Now my main point isn't too hard to grasp. Their early albums defined a relatively standard pop sound and built their reputation... before their 1966+ material broke all those rules. I'm not going to start arguing in favour of them being the first to break the rules - that horse has been flogged already.

And to claim that they're renowned for their earlier pop material would be equally stupid. Ask anyone in the street to name a Beatles album and I'll bet my left testicle (but not my right - I like him) that 90% or more will name Revolver or something later. Sgt Pepper's, Abbey Road, Let it Be, Rubber Soul - none of their most famous releases fit in with the type of pop you got on With The Beatles etc.

I can see what you're saying but within those later releases they still had songs which were straight up pop music. You mentioned Revolver, that still had songs like Yellow Submarine and Eleanor Rigby on it. I would bet MY left nut that when you ask people on the street what sort of a band the Beatles were that 90% of them would say a pop band, not a pop band turned progressive band who deconstructed their sound.

As I mentioned earlier, you wouldn't call Nofx a ska band for releasing a few ska albums, you wouldn't call the Clash a pop band because they released a pop album and you wouldn't call Grinspoon a shit band even though their latest release is a pile of steaming turd.

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