The Zoo clamps down on photographers |
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| News: The Zoo clamps down on photographers |
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# 3 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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I wrote about this debacle on my blog. I'm disgusted that Birds Of Tokyo decided to take action in this manner.
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http://andrewmcmillen.com/ |
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# 4 |
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# 5 |
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Scrumtrulecent
Join Date: Jun 2008
Posts: 2
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The Zoo clamps down on photographers
Man, this is a damn shame. The Zoo is a great place to shoot and basically where I learned to use a camera. What is up with bands who don't want publicity?
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# 6 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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I don't blame The Zoo one bit. I blame Birds Of Tokyo for fucking the Zoo's management - and every Zoo punter - over because they're of the image-obsessed-wanker breed that Demosthenes alluded to.
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http://andrewmcmillen.com/ |
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# 7 |
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bloggin
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The Zoo clamps down on photographers
How ridiculous - If the zoo had any brains they would set up a you tube site and encourage people to post their recorded videos - move with the times people
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# 8 |
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down on the corner, out in the street, listening to Willy and The Poor Boys. You'll get no nickel from me! Learn to play!
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and if a band is road testing new songs, and it turns out they dont like one of them, because its rubbish, having a fan video out there of one of the crap songs could damage the band, maybe? i dunno, its a long bow to draw, but thats the only reason i could think of |
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# 9 |
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down on the corner, out in the street, listening to Willy and The Poor Boys. You'll get no nickel from me! Learn to play!
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# 10 |
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a bit of a dilettante
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With photos, gosh, they might not get a percentage from it or something. But guess what, band people? You can't make money off everything! Most photographers make sweet fuck all to the best of my knowledge. I have enormous sympathy for musos -- it's so hard for them to make ends meet and so few actually make a living from it for all their talent -- but a velvet glove is likely to get a better and less bitter response than the iron fist.
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# 11 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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Quote:
Funnily enough, a similar event to what I described above occurred in 2006 or 2007 after a Karnivool show. Note that Birds Of Tokyo singer Ian Kenny also fronts Karnivool, who I believe are a far more talented and original band. I'm not 100% on the details, but from what I understand, Karnivool played a show that was recorded by a well-known (and usually amicable) bootlegger. The band must have had a shocker, because they emailed asking for him to take the recording down. It irks me when artists act in this manner. Remember Prince throwing a hissy fit at YouTube a couple of weeks ago? He tried to stop users uploading his cover of Radiohead's Creep. I imagine that he was unsuccessful.
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http://andrewmcmillen.com/ |
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# 12 |
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waving his gash around
Join Date: Jul 2006
Location: ACT, AU
Posts: 1,447
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Actually... Daft Punk aren't releasing a DVD companion to the Alive 2007 tour CD purely because they said (and I paraphrase) "There is already enough footage on youtube that does the job well enough". I think that bands and venues should embrace the digital bootleg age and get over themselves. Youtube bootlegs won't harm DVD sales, unless it's the DVD on youtube, nor will audio rips impact on CD sales. It's free publicity! If a band isn't willing to be up on youtube or something like that because they are too precious, then they shouldn't be on stage to begin with. As a photographer, speaking as a photographer, I don't have anything to say on that subject.
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http://saimagizzle.deviantart.com |
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# 13 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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I'm a photographer and have shot at the ZOO a lot. There are pros and cons to the rule, but firstly I'll say it is ILLEGAL for them to confiscate anyones gear. Their first post on the website didn't even state that they would give the gear back, they changed it after I emailed them with a massive serving telling them that they are openly admitting their desire to break the law on their own website.
Now you can agree to have them stow your gear or whatever (I sure as hell wouldn't) to stay, or you have the choice to leave. They cannot take your gear, but you can be asked to leave the premises. I'd say smuggling gear in there is pretty stupid now anyway. So don't do it, if you're any good with a camera it's easy enough to start shooting for FL or a streetpress anyway. As for my personal views on the matter CONS: Photographers have one less place to cut their teeth at gig shooting, these conditions are only able to give good results when a shooter is experienced and knows their shit. It is hard to get that when you can't shoot some gigs for yourself first. The powerhouse, cascade court events, and other gigs (especially free community gigs) are a good start for shooters who need some practice (and to be arrogant, there's a few )Bands could potentially get less coverage aka photos but I don't imagine the photos lost will be of a high enough quality that anyone is going to lose sleep anyway. And finally, going to see a gig is a night out. People at the Zoo take snaps of themselves and their friends just as much as they do the band! I say take your small point and shoots or whatever and put it at the bottom of your bag. Don't go trying to break the rules and use it to shoot the bands, but if you want to have your camera around because you're doing lots of things on the night (and fair enough) then I think it is reasonable to expect that you'd be allowed to do so. PROS: Less crappy photos being sent to publications for a shitty photo credit when the good shooters out there are already dealing with an industry that doesn't see value in the product because so many shit photographers are willing to give it all away for free. Less competition for places front of stage for photographers shooting for publications. Yes, I get there early, and I don't give up my spot til I've done my job, even If I need to take a leak. Anyway I think that rambling will do me, if you want to see what I do check www.okletsgo.com.au |
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# 14 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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Oh and as for that Daft Punk crap, if you can't produce a DVD (where you'd have exclusive backstage footage etc.) that views better than hand held cam corder bad quality sound shit on youtube, then you clearly don't deserve to have DVD revenue.
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# 15 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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Quote:
I think a few of you aren't focusing on the real issue here: The Zoo was forced into creating these restrictions. It's my understanding that The Zoo has existed as a live music venue since 1992. They've always been fine with punters bringing in cameras, up until a recent show and the subsequent threat of legal action. That appears to be the sad and disappointing reality here. Bananaphone, while I was sitting up the back during the Bravery show on Tuesday, I saw a security guard take a bunch of small cameras to a back room, presumably to be returned to punters after the show.
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http://andrewmcmillen.com/ |
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# 16 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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Well if the security guard made people feel like they HAD to have their stuff confiscated then he was committing a crime.
People just don't know that security and even police have no right to confiscate your photographic gear without proper legal backing. That said if people are happy to have their cameras stowed somewhere til later, that's fine too. |
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# 17 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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The real problem is fucking managers who have to be in control of when their bands go to the toilet. They have to squeeze every fucking penny out of them possible and bully anyone that isn't making them money.
As far as im concerned Birds of Tokyo probably don't even know what's going on, but the Zoo is a fucking staple of the Brisbane live music scene, and I reckon if 1 band is going to get upset about that they can fuck off for good. Bands should just sign a release that allows for the fact that people may have cameras in the venue. If they aren't happy about it, there will always be another band wanting a chance. I am pretty pissed that a pissant manager of a fairly small band is forcing influential decisions upon pieces of Brisbane history. |
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# 18 |
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down on the corner, out in the street, listening to Willy and The Poor Boys. You'll get no nickel from me! Learn to play!
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we got permission to use the photos from the promoter, post-gig... |
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# 19 |
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down on the corner, out in the street, listening to Willy and The Poor Boys. You'll get no nickel from me! Learn to play!
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A person has a right to protect their image, their physical appearance is copyrightable, so technically a bands members have the right to not have their photo taken at all while performing. Obviously most bands don't care, but that is their right, and while you can't really sue a random blogger for shooting and posting, you can sue the Zoo for being negligent ie they COULD have done something about it, but chose not to. Obviously this is a summary, which is pretty much all i was given at the course :> Also, it's all very well to say to give another band a chance, but what if its not a local band, but a bigger international act, where the Zoo is requesting them to play, rather than the other way round. |
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# 20 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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Quote:
I've messaged the band on MySpace to try and get this matter cleared up.
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http://andrewmcmillen.com/ Last edited by NiteShok : Thu 12th Jun 2008 at 2:57 PM. |
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# 21 |
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down on the corner, out in the street, listening to Willy and The Poor Boys. You'll get no nickel from me! Learn to play!
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hey man if you can get them to confirm it was them, and go on record with a statement, i can upload a new news item, or edit an existing one, with the details?
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# 22 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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Sure, I'll keep this thread posted.
I linked them to this discussion. It'd be cool if they joined the conversation.
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http://andrewmcmillen.com/ |
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# 23 |
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a bit of a dilettante
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Now consider that a band basically gets a photographer for the evening for a price of somewhere between $10 and $150 (depending on the artist). Yes, it is a touch apples and oranges, but it still seems like a pretty sweet fucking deal to me. And even if some of the shooters aren't necessarily the most experienced or the most skilled (yet), I could easily point out a dozen shooters on this site alone who I think are immensely talented at getting great live shots.
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# 24 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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Yeah I am jumping to conclusions but given the amount of experience I have with bands vs managers and all the little fucking things they try to get away with in contracts and the such, im pretty happy to point to their manager on this one. There are always exceptions such as the Eels, Bjork etc. who hate photographers more than their managers.
As for their image, at least if you take the shot from public property, they don't own their image. Though I am pretty sure you can't use it in a way that is derogatory. As for shooting from private property, I'd have to reread about that. But my main argument was that The Zoo can't confiscate gear but can kick you out, so if you're face to face with security, you choose between the two. |
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# 25 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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Yeah 60 - 120 an hour is pretty fair for a good photog. You can get more of course, but that generally happens with more commercial clients.
Also I am glad this issue has attracted conversation. |
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# 26 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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Me too. There's a whole lot of issues bundled into this single event. I'm happy with the discussion thus far. I've initiated contact with the both band and venue involved; it'd be really cool if they joined in.
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http://andrewmcmillen.com/ |
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# 27 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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Quote:
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http://andrewmcmillen.com/ |
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# 28 |
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a bit of a dilettante
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Edit: Oh, too slow on the post. :x Having read what Joc wrote, I dunno if it's possible for the venue to do a lot more. I'm sure it will mean more work for them, for both small and large gigs. And I think that sucks. It's more than the Tivoli or the Arena do for punters. And if you sent such a request to the Entertainment Centre or the Convention Centre it'd probably disappear into a black hole.
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Last edited by Demosthenes : Thu 12th Jun 2008 at 5:06 PM. |
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# 29 |
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counting the days until Placebo's tour
Join Date: Jul 2005
Location: VIC, AU
Posts: 3,605
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this is a really interesting thread...
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No Doubt Australia.com | concert photos | Last FM January - Moby, Temper Trap, Children Collide, Chill Island, Them Crooked Vultures, Josh Pyke, Kasabian, Big Day Out February - Soundwave x2, Placebo March - Franz Ferdinand |
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# 30 |
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FL Contributor
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Quote:
Quote:
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The Blog: This Is Not A Photo Opportunity |
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# 31 |
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a bit of a dilettante
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I never ever knew that! Colour me surprised....
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# 32 |
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FL Contributor
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But more importantly, remember:
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The Blog: This Is Not A Photo Opportunity |
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# 33 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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Another snipper of information (pasted from my blog comments) before I fall asleep..
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http://andrewmcmillen.com/ |
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# 34 |
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a freak... and proud of it!
Join Date: May 2007
Posts: 2
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I'm not sure if thats still the case with something like a band shot where, even if there are more than 7 individuals, you can still either recognize them or include their identities in a caption, title, etc. etc. So perhaps, as long as you have permission from the venue, just get a few audience members in the shot... that'll make it legal enough... Maybe. ![]() |
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# 35 |
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down on the corner, out in the street, listening to Willy and The Poor Boys. You'll get no nickel from me! Learn to play!
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# 36 |
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a bit of a dilettante
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![]() > I imagine that’s probably the case with BoT too. Sometimes a tiny pebble makes some bloody big ripples in the pond.
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Last edited by Demosthenes : Fri 13th Jun 2008 at 8:13 AM. |
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# 37 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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Response from Birds Of Tokyo:
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Now I don't know what to think.
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http://andrewmcmillen.com/ |
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# 38 |
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a bit of a dilettante
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I don't think Joc actually stated anywhere that they'd been legally threatened? It could be that a number of instances where bands got a bit iffy about photogs or bootlegs and this was "simply" the straw that broke the camel's back as it were.
By-the-by, I'm not completely sold on the BOT argument. I'd never judge a band's live ability based on a Youtube vid. Those things are often very poor quality and even the better ones get compressed down by Youtube itself iirc so as to conserve bandwidth and make for easier streaming.
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# 39 |
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down on the corner, out in the street, listening to Willy and The Poor Boys. You'll get no nickel from me! Learn to play!
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"What the fuck is this shit, BoT must FUXXOR SUXXOR! Justin Timberlake 4 EVA!" |
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# 40 |
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not looking forward to 2 hours on NO LIVE MUSIC @ Laneway.
Join Date: Apr 2008
Posts: 10
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Boo Hoo to the Zoo
The Tivoli confiscated my camera at The Hives a couple of years ago.
They then decided cameras are OK, revering this stupid rule & most sensible artists realise any bootlegs are great publicity. Last night I took great photos at Tivoli of the gorgeous Julia Stone & on Sat Powderfinger & I've got tom\ns of photos of KM-H at both Zoo & Tivoli. Sounds like Zoo have buckled to pressure from ONE band. What a wimpish thing to do. No more Zoo gigs for me. Taking photos is part of the GIG experience. I've been doing it since 1974 at over 1,000 gigs & unless Zoo reverse this decision I won't be going there again. |
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# 41 |
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down on the corner, out in the street, listening to Willy and The Poor Boys. You'll get no nickel from me! Learn to play!
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no more zoo gigs? thats a lot of good gigs youll be missing out on |
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# 42 |
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FL Contributor
Join Date: May 2005
Location: Brisbane, QLD
Posts: 350
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No, you're right. I gathered that bit of information (which could be wrong) from speaking to one of the Zoo staff on Tuesday.
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http://andrewmcmillen.com/ |
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# 43 |
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a bit of a dilettante
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# 44 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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I'm telling you right now, the reason you're confused is because the band don't mind you taking photos and the manager is being a control freak.
Seen it time, and time, and time, and time, and time again. I shot AJS last night too, they had inner beauty shining out of them. Sadly my partner was sick so I had to leave after 5 songs =/ |
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# 45 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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A standard policy for MOST venues is no professional cameras, aka cameras with interchangeable lenses (DSLRs) and no telephoto lenses
You might be able to get a 400d with a nifty 50 on it for instance, but fat chance you'll get in a 40D with bat grip and a 70 - 200 for instance. |
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# 46 |
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a bit of a dilettante
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# 47 |
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not looking forward to 2 hours on NO LIVE MUSIC @ Laneway.
Join Date: Apr 2008
Posts: 10
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I just have a Canon 8MP camera with 10x optical zoom.
Gets great puictuires at Tivoli from upstairs or down & at both Splendour & BDOs, as the lighting is good. Got great photos at Grates gig at Zoo in Dec as lighting was good, but often at Zoo lighting is dreadful (nearly as BAD as at The Corridor AKA The Troubadour) & the sound at Zoo is always dreadfull, as to get in the "perfect tringle" listening position is impossible at The Zoo due to THE STAIRWELL. Zoo is also often too hot too. If Kate Bush plays at Zoo I'll go, otherwise I think I'll gig elsewhere. Saw Kate B on her only ever Tour in Bristol - best female performer ever, but Bjork was close at BDO 08 & my beloved KM-H is GR8 & getting better every gig in KATE 08. |
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# 48 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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Quote:
Also I'd take the 3fps rather than the 1fps, quicker focus times, etc. ![]() But I know you weren't about to start a beginner slr vs ps debate. |
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# 49 |
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the power of failing
Join Date: Mar 2006
Location: the beer garden
Posts: 3,226
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Prosumer cameras are better.
![]() And that 50mm has focusing issues. My 24-70L is faster, not as sharp though. I think it's just something you will have to live with. I remember when my friends supported Sunk Loto and photography was banned. Then there was another time they played at The Lair. There's just times when you can't take photos. If you're a photographer contact some street press or ask to take photos of the bands that play there. That's actually going to take you further then just showing up to a small venue and taking photos. You should be glad that some $200 p&s camera won't be in the way of your 30 or 40dslr...as selfish as that makes me sound.
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# 50 |
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a music photographer and designer
Join Date: Jan 2008
Posts: 75
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My primary lens is a lot faster too, but 1.8 I believe is two times more light than 2.8
And you can always get a 50 1.4 or 50 1.2 too ![]() That said I find 50mm too long front of stage, I just pack one incase the light is REALLY bad. |
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