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The Saints

When the original incarnation of The Saints – vocalist Chris Bailey, guitarist Ed Kuepper, drummer Ivor Hay – reconvened in 2007 to perform at the Riverside Festival in their hometown of Brisbane, many believed that it would be a one-off, the likes of which would never be seen again.

From the outset of our conversation Bailey, makes it quite clear that his own incarnation of The Saints is very much still a going concern. Indeed, the day after this interview he was off to the airport, flying to southern Europe on embark upon yet another tour with the “new Saints” ( that minus Keupper).

Then as he explains it “I go to Oz to play some shows with a band ALSO called The Saints. It makes me feel a little bit like Doctor Who – I’m going through a time warp. There’s always been a very loose understanding that what we were as kids has evolved into a very different thing over the years. Never say never I guess is the cliché.”

Having had their initial reformation last year – the first time Bailey and Kuepper had played together since 1979 -this time around takes one step further, with the band revisiting seminal debut (I’m)Stranded in a very special show at home, in Brisbane.

“I’m actually not going to listen to the album at all until I’m on the plane coming to Australia,” Bailey asserts. “There are a few songs that I haven’t really touched for years and I only get two days rehearsal, so I figure if I don’t listen to the record until I’m across some ocean somewhere I’ll be approaching it with a very fresh set of ears. I’ve always hated having to recreate live what you do on record because I think the two should be quite separate.”

Thinking back upon the 2007 reformation, Bailey seems surprised at how well it worked out.

“It wasn’t a hideous nostalgia thing,” he says. “It was a bunch of songs played quite well by he people who made the records, and that would have been fine and a one-off and we would’ve had a few drinks, a few laughs, and did a decent show. That would’ve been history.”

But it’s not every day that Nick Cave and Mick Harvey from the Bad Seeds call you up and ask you to reform.

“They rang Ed, they rang me, and asked whether we would do this ATP thing and we said – œokay’. So it was that simple.”

When Ed is on stage with him, you’d expect it to be a somewhat strange, with their famously antagonistic relationship potentially making it an awkward experience. But Bailey insists that is not the case at all, instead declaring that it’s – œnatural’.

“I’ve always rated Ed very highly as a guitar player – in fact, dare I say it, he’s one of my favourites. We’re playing music from a time capsule so that puts it in some type of perspective…but it just seems – œright’. I can’t explain it any other way.”

Looking back at the past like this is something that many musicians are doing these days – the likes of The Stooges, The Sex Pistols, and The Pixies have all reformed, while bands such as SonicYouth have performed the likes of classic album Daydream Nation in full (at the upcoming All Tomorrow’s Parties, The Dirty Three will perform Ocean Songs in full).

“Generally speaking I wouldn’t like to do this all the time,” he says of the examination and retrospection that comes with performing only songs from a certain era of the band. “But I do think certain players have a certain magic, and there’s a certain thing happens when that particular bunch of players get together – it’s not a back racket that we make. But generally speaking it is better to look forward than to look back”.

“But keep in mind this is a specific number of shows,” he cautions. “We all know that we’re going to do this for a specific period of time and we’re lucky that they’re not bad tunes that we have to play as a project, which I guess is what it is. From my own personal point of view it’s…weird.”

With a – œnormal’ version of The Saints very much part of his everyday existence, the likes of this dalliance as – œThe Saints’ means that things get put on hold, and instead he goes on ”...this very interest head-trip, maaaaan,” he deadpans, “to another place and another time. It’s pretty cool. It’s not like the – œCountdown Reformation Spectacular’ or any bollocks like that!”

The Saints are performing at ATP in Mt Buller on January 9-10, January 17-18 in Sydney, and a very special show performing (I’m) Stranded in full at home at the Riverstage in Brisbane.

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Demosthenes

Demosthenes said on the 16th Jan, 2009

I've heard exactly the same thing from quite a few people already this morning. General consensus: The Saints have right royally pissed off Brisbane.

Like you say D, appalling sound was secondary to the fact that they didn't deliver as 'advertised'. Sound aside, had they played said album as advertised, no one would have given a rat's arse. That's all anyone wanted to hear.

Obviously they were not bound by any contractual arrangement to do so (or were they?) so who was telling all the pork pies???

Know your product, Caveat Emptor or was it art?

Arseholes.

I was on the barrier, and some people very close to me were yelling abuse after Bailey and Kuepper as they left the stage. I think once they didn't play the title track, there was an expectation that they would return and encore it. Which I think would have been artificial, but might have sated a large proportion of the crowd.

I can't quite describe the anticipation I had when they first came on stage, and the subsequent astonishment and disbelief I felt when they launched into Swingin rather than Stranded. I'm still shaking my head - it makes no sense at all. Why would you "fuck-you" to your fans?

The Courier Mail's Noel Mengele [url="http://www.news.com.au/couriermail/story/0,23739,24919126-5012980,00.html"]filed a story pretty much saying it was awesome. (He also mis-named Erotic Neurotic)

I have no idea what planet he's on -- his review couldn't be further from the fucking truth. God that rag is fucking useless.

rooney

rooney said on the 16th Jan, 2009

I was on the barrier, and some people very close to me were yelling abuse after Bailey and Kuepper as they left the stage. I think once they didn't play the title track, there was an expectation that they would return and encore it. Which I think would have been artificial, but might have sated a large proportion of the crowd.

I can't quite describe the anticipation I had when they first came on stage, and the subsequent astonishment and disbelief I felt when they launched into Swingin rather than Stranded. I'm still shaking my head - it makes no sense at all. Why would you "fuck-you" to your fans?

The Courier Mail's Noel Mengele [url="http://www.news.com.au/couriermail/story/0,23739,24919126-5012980,00.html"]filed a story pretty much saying it was awesome. (He also mis-named Erotic Neurotic)

I have no idea what planet he's on -- his review couldn't be further from the fucking truth. God that rag is fucking useless.

Ha! who'd have thunk Mengele was a fucking yes man???? Not me, no sirree!

"...Drummer Ivor Hay was even more dynamic than at their 2007 Pig City show..."
I got asked who the old session muso was!

"NOW this is a Wall of Sound. The sound in question being the monster emanating from within the belly of Ed Kuepper's four Marshall quad boxes..."
Apparently he confused this with the pile of garbage that the normally tone astute (to the point of anal obnoxiousness) Kuepper had forgone for whatever reason.

Obviously(?) this was a hastily written edit prior to his full spread later on... but i have read better stuff on sunny-side-up paper at the bottom of a pan toilet.

Maybe for another thread, but hopefully the rest of the day was better.

Piko

Piko said on the 18th Jan, 2009

Oh the Bad Seeds were in fine form as usual! Music was tight as tight could be. The performance of Dig, Lazarus, Dig!!! sounded 10 times better than it did live on Letterman last year. They did have one hiccup toward the end of Midnight Man, but that song is a bit of a musical hodge podge towards the end normally so perhaps it was intended. Nick unfortunately buggered up his lyrics twice, and the second time you could see that it really stressed him out. He also was very nervous talking to the crowd and struggled to put a good sentence together. However not many artists could start singing the second verse of a song, then say "oh shit i already sang that verse", then pose on the stage and gain applause, wait for the timing to come back around and start singing the correct verse.

Mercy Seat was incredible, the use of lighting for Stagger Lee at the finish was intense and added to an already violent song. Tupelo, Weeping Song and Red Right Hand were awe inspiring. Straight to You at the start of the encore was raw and much heavier than the recorded version, he didn't sing my favourite line from that song "now heaven has denied us its kingdom, and the seas their all drunk and howling at the moon, and the chariots of angels are colliding, and i'll run babe but i'll come a running staright to you" but that didn't steal away from the intensity of the performance.

Absolutely the standout band of the day, and certainly had the most audience applause and affection/screaming, from what was otherwise a very sedate crowd, i don't recall one chant occuring all festival, not even to get The Bad Seeds back on stage.